The Monks were five American GIs stationed in Germany during the Cold War who called themselves the anti-Beatles; they relied heavily on feedback, nihilism, and electric banjo. They wore strange haircuts, dressed in black, mocked the military, and rocked harder than any of their contemporaries in the mid-1960s, while at the same time managing to essentially invent industrial, punk, and techno music. This cross-genre documentary not only illustrates this pop music phenomenon in its political, social, and cultural-historical contexts, but also reveals the Monks project as the first connection between art and pop music—months before Andy Warhol and The Velvet Underground.
The Monks were five American GIs stationed in Germany during the Cold War who called themselves the anti-Beatles; they relied heavily on feedback, nihilism, and electric banjo. They wore strange haircuts, dressed in black, mocked the military, and rocked harder than any of their contemporaries in the mid-1960s, while at the same time managing to essentially invent industrial, punk, and techno music. This cross-genre documentary not only illustrates this pop music phenomenon in its political, social, and cultural-historical contexts, but also reveals the Monks project as the first connection between art and pop music—months before Andy Warhol and The Velvet Underground.