Two gangs of boys and their battle over trouser buttons: Yves Robert's classic adaptation wittily exposes the folly of adult wars
“The War of the Buttons” (“La guerre des boutons”) by Yves Robert, released in 1962, is arguably the most famous and charming film adaptation of the literary classic of the same name by Louis Pergaud.
This tragicomedy tells the story of two rival neighboring villages in rural France, whose boys wage a bitter gang war. As trophies, the victors cut off the buttons and suspenders of their captured opponents—a humiliation that lands the victims in serious trouble with their strict parents back home. To avoid this punishment, the children eventually resort to a radical tactic and go into battle naked.
Behind this humorous and nostalgic look at childhood lies a timeless satire on the adult world. Yves Robert stages the children’s conflicts as a poignant parable for the great, senseless war and exposes the mechanisms of false pride, power games, and blind escalation. In France, the film—which won the prestigious Prix Jean Vigo—enjoys absolute cult status, as it perfectly strikes a balance between youthful anarchy and a subtle critique of authoritarian social structures.
“The War of the Buttons” (“La guerre des boutons”) by Yves Robert, released in 1962, is arguably the most famous and charming film adaptation of the literary classic of the same name by Louis Pergaud.
This tragicomedy tells the story of two rival neighboring villages in rural France, whose boys wage a bitter gang war. As trophies, the victors cut off the buttons and suspenders of their captured opponents—a humiliation that lands the victims in serious trouble with their strict parents back home. To avoid this punishment, the children eventually resort to a radical tactic and go into battle naked.
Behind this humorous and nostalgic look at childhood lies a timeless satire on the adult world. Yves Robert stages the children’s conflicts as a poignant parable for the great, senseless war and exposes the mechanisms of false pride, power games, and blind escalation. In France, the film—which won the prestigious Prix Jean Vigo—enjoys absolute cult status, as it perfectly strikes a balance between youthful anarchy and a subtle critique of authoritarian social structures.