Spring 1945: After successfully fleeing, Johanna (Katharina Böhm) finds herself stranded in a village in northern Hesse with her two children and a teenager (Frederick Lau). “The Colorado potato beetles”—as the locals call the war refugees—are not welcome by many. Although the rural population has survived the war relatively unscathed, they’ve been through enough and don’t want to share—and they certainly don’t want to talk about the past.
“Ein Dorf schweigt” is a powerful postwar drama that explores the difficult integration of refugees and displaced persons in Germany in 1945. The strong performances—particularly by Katharina Böhm and Uwe Kockisch—are complemented by a sensitive portrayal of human conflicts and experiences of exclusion during a time of upheaval. The film shows how fear, guilt, and mistrust shape communal life, without reducing the characters to simple perpetrator or victim roles.
“Excellently acted; the cinematography and music also draw the viewer into the gripping flow of human lives and destinies. — A must-see” (Lexikon des Internationalen Films)
Spring 1945: After successfully fleeing, Johanna (Katharina Böhm) finds herself stranded in a village in northern Hesse with her two children and a teenager (Frederick Lau). “The Colorado potato beetles”—as the locals call the war refugees—are not welcome by many. Although the rural population has survived the war relatively unscathed, they’ve been through enough and don’t want to share—and they certainly don’t want to talk about the past.
“Ein Dorf schweigt” is a powerful postwar drama that explores the difficult integration of refugees and displaced persons in Germany in 1945. The strong performances—particularly by Katharina Böhm and Uwe Kockisch—are complemented by a sensitive portrayal of human conflicts and experiences of exclusion during a time of upheaval. The film shows how fear, guilt, and mistrust shape communal life, without reducing the characters to simple perpetrator or victim roles.
“Excellently acted; the cinematography and music also draw the viewer into the gripping flow of human lives and destinies. — A must-see” (Lexikon des Internationalen Films)